Written by Maayan Ben Hagai, Zahava Goshen
Illustrated by Eden Spivak
Translated by Jessica Bonn
Price: £10.99
Format: Paperback
ISBN: 9781784388997
Highlights
Great portrayal of the Passover tradition and how letting go of the old is necessary to make space for the new
Teaches children that good things can happen if we are open to new ideas and challenges
Beautifully illustrated throughout
Description
It is another day at Workitu’s village. As usual, she is awoken by the morning sounds of the village. However, for Workitu, something doesn’t feel right. She knows that today, ahead of the Passover celebrations, she will have to break all of the crockery she had become so used to, including her favourite cup, the one she made all by herself. She can’t help but feel that she will be losing something valuable and meaningful to her.
Then, an incident makes her drop the cup she was holding on to the ground, breaking it into pieces. Workitu begins to cry, but then her auntie shares a secret she learned a long time ago, and Workitu is finally able to see this tradition in a new light: “It’s good to break things sometimes. To let go of old things . . . I break, and then I make. All with the same hands.”
With beautiful illustrations throughout, this is a meaningful tale about the importance of letting go of the old to make space for the new, and how family traditions are passed on through generations.
Read an interview with the authors here.
Reviews
In this touching, folk-like tale, Workitu, a young Ethiopian Jewish girl, discovers that her family’s Passover ritual of smashing their hand-made clay dishes, including her favorite cup, is a meaningful tradition of transforming the old into something new. Eden Spivak’s illustrations depict the warmth of rural village life.’ – Jewish Telegraph Agency
‘In this charming and lovingly illustrated tale of a Jewish Ethiopian family, a young girl, Workitu, learns about her family’s Passover custom of breaking their dishes to be certain every trace of chametz is destroyed. Workitu cherishes certain pieces of the family pottery and can’t understand why the beautiful, graceful vessels should be shattered each year and then ground into powder.
Nevertheless, Workitu follows her mother’s instructions, and along with her little sister Almaz, carries the pottery to her nearby Auntie Balainesh’s where the shattering and grinding is to be done. Auntie Balainesh patiently explains that the old must make room for the new, and Workitu allows Auntie to teach her to mix the powder from the broken vessels with clay, to knead it and create new vessels. When Workitu realizes that the family’s dishes were made over at each Passover through the generations, she comes to appreciate the tradition and learns that sometimes you have to say goodbye to treasured things. She is proud of the new oil jug she fashioned out of her favorite cup and pot, and is ready to enjoy all the new pottery the next day at Passover.
I love the lyrical text by Zahava Workitu Goshen and the neutral tones (except for some small splashes of color) in the artwork by Eden Spivak. The Jewish content is strong and the book gives American children a wonderful opportunity to learn about an ancient Jewish Ethiopian tradition still carried on today. But you certainly need not be Jewish to enjoy this story and empathize with Workitu. There is a full recounting of the Passover story in the front of the book’. — Arlene Schenker, SydneyTaylorSchmooze.com
‘In this touching, folk-like tale, Workitu, a young Ethiopian Jewish girl, discovers that her family’s Passover ritual of smashing their hand-made clay dishes, including her favorite cup, is a meaningful tradition of transforming the old into something new. Eden Spivak’s illustrations depict the warmth of rural village life..’ – Penny Schwartz, Jewish Press of Tampa Bay
Which of us hasn’t smashed a bowl or two in changing over our chametz and non-chametz crockery for Passover? In Zahava Workitu Goshen’s childhood in Ethiopia, it was the practice to smash every chametz vessel in the home – and then grind down the clay, mix it with new and use it to shape fresh vessels for Pesach, which would be deemed free of chametz. This breaking and re-making is now the focus of a memorable picture book, co-written by Goshen and Maayan Ben Hagai, illustrated by Eden Spivak and translated by Jessica Bonn.’ – Angela Kiverstein, The Jewish Chronicle
‘With beautiful illustrations throughout, this is a meaningful tale about the importance of letting go of the old to make space for the new, and how family traditions are passed on through generations.’ – Jewish Book World
‘This charming story is a perfect example of multicultural representation of the Jewish diaspora. Most Jewish children’s literature depicts white Ashkenazic Jews of European decent. It is important for children to see that there are Jews of all colors from all over the world. Jewish children will enjoy reading a different type of Passover story. But any child can appreciate the themes presented.’ – StoryBook Lady (Posted on Amazon.com and GoodReads)
‘This fantastic new book tells the tale of a young girl as she prepares for Passover in her small Jewish community in Ethiopia. This story centers on the themes of tradition and the importance of family, renewal, and of remaking the old into the new. Workitu is upset because it is the custom in her village to break all the clay dishware every year and make new dishes. She does not want to give up her favorite dishes that her mother made. It is only when she helps her aunt make new ones, that she learns the old dishes are ground to powder and mixed into the clay for the new dishes. Then she can appreciate that in remaking the dishes, they are handed down through the generations and all her family are honored. Readers will appreciate this diverse Jewish representation.’ — story.book.lady (Instagram)
‘Those accustomed to a thorough house-cleaning before Passover will likely be intrigued to learn that the Beta Israel of Ethiopia prepare for the holiday with a very different ritual. Instead of trying to remove every particle of chametz from the home, the Beta Israel smash dishes and then create new ones out of the remaining dust mixed with new clay. In Workitu’s Passover, the titular young girl is ambivalent about this practice but, through the support of a strong female relative, she learns how destruction of old objects can create space for the new.
‘Authors Zahava Workitu Goshen and Maayan Ben Hagai set the scene with a poetic description of a village’s sounds: “a cow mooing, leaves blowing in the breeze, and the clicking of her mother’s pestle and mortar.” In this world, slow and careful labor is required to produce what is needed. Workitu’s sister, Almaz, is enthusiastic about the new dresses their father will weave for them for Passover, but Workitu is distressed: she finds the smashing of beautiful dishes painful. Eden Spivak’s illustration shows Workitu sitting slumped on her bed, eyes downcast. Sipping milk, she grasps her favorite cup with both hands and closes her eyes, as if thinking about her imminent loss.
‘‘Workitu is fortunate to have the guidance of Auntie Balainish, who patiently explains the importance of maintaining ties to the Jewish past, both recent and ancient. This connection transcends geography, uniting distant communities. It also validates the specifi’. It should be ‘Workitu is fortunate to have the guidance of Auntie Balainish, who patiently explains the importance of maintaining ties to the Jewish past, both recent and ancient. This connection transcends geography, uniting distant communities. It also validates the specific practices of Beta Israel. Only by working together with a wise, older woman, does Workitu come to understand her own role in this chain of tradition. “Her old things were secretly hidden inside the clay they were using to make new things,” she reasons to herself. Discussion alone is not enough to convince Workitu, but hands-on activity makes the abstract idea real. Artistic creativity is also inseparable from Workitu’s change of heart. A careful description, with an accompanying picture, details the individual choices she makes in crafting a new jug to hold olive oil. Children will relate to the stylized form, with handle and pitcher resembling an ear and a nose. Spivak even adds an eye and a smile, capturing Workitu’s conception of her pottery as almost human. Earth colors, and varied composition, give a unified tone to the illustrations. Observance of Passover unites the Jewish people everywhere. Workitu learns to honor that ideal while celebrating her own community and her distinctive character as well. This highly recommended book includes an explanatory afterword.’ — Penny Schwartz, Jewish Book Council
‘We must break old things to make room for the new. We break, but then we make again. Both with the same hands. Workitu’s Passover, written by Zahava Workitu Goshen and @maayanbenhagai, published by @green_bean_books is a GORGEOUS story of intergenerational connection, loss, rebirth, and tradition. Centered in Workitu’s own memories of her Ethiopian Jewish village, we learn about Beta Israel’s traditions to break and reshape their clay kitchenware and weave new clothes for Passover – but this story is so much more than that, filled with heartfelt emotion and familial love.’ — DiverseJewishBooks (Instagram)
‘Workitu’s Passover is a charming story that exposes children to a Jewish community and custom that is probably unfamiliar to them. Workitu is a fully realized character, as are her enthusiastic little sister and loving wise aunt. The conflict in the story, while the details are specific to this culture, is a universal one. Most children will be able to empathize with how hard it can be to give up old familiar things, especially when they’re cherished.
The stylized artwork is line drawings with digital colors added. The palette is subdued tones, like the clay pottery. The artist has added a curious baby goat to most of the pages.
This book could be a springboard for a discussion of how families prepare for Passover, the history of the Ethiopian Jewish community, or the difficulty of giving up old things. This title is highly recommended for purchase for homes, schools, and libraries.’ — Hillary Zana, Association of Jewish Libraries newsletter
